Based on the adage “Everyone loves someone who has had an abortion,” Everyone Knows
Someone seeks to humanize and destigmatize abortion through a lively, compelling performance
of real stories from people who have had them, framed with material about reproductive rights in
the United States. It was created by Elizabeth Rodrigues, a student in the Master’s of Human
Rights program at Binghamton University, and Jane Elliott, a faculty member in the Binghamton
University Theatre Department. It is directed by Natasha Lorca Yannacañedo, and features Adara
Alston, Alexandra Blum, Jane Elliott, and Dori May Ganisin.
This project is funded by the Ellyn Uram Kaschak Institute for Social Justice for Women and
Girls and the Stephen David Ross University and Community Projects Fund, in partnership with
the Unitarian Universalist Congregation of Binghamton, and with support from the Binghamton
University Theatre Department.
Based on the adage “Everyone loves someone who has had an abortion,” Everyone Knows
Someone seeks to humanize and destigmatize abortion through a lively, compelling performance
of real stories from people who have had them, framed with material about reproductive rights in
the United States. It was created by Elizabeth Rodrigues, a student in the Master’s of Human
Rights program at Binghamton University, and Jane Elliott, a faculty member in the Binghamton
University Theatre Department. It is directed by Natasha Lorca Yannacañedo, and features Adara
Alston, Alexandra Blum, Jane Elliott, and Dori May Ganisin.
This project is funded by the Ellyn Uram Kaschak Institute for Social Justice for Women and
Girls and the Stephen David Ross University and Community Projects Fund, in partnership with
the Unitarian Universalist Congregation of Binghamton, and with support from the Binghamton
University Theatre Department.
Based on the adage “Everyone loves someone who has had an abortion,” Everyone Knows
Someone seeks to humanize and destigmatize abortion through a lively, compelling performance
of real stories from people who have had them, framed with material about reproductive rights in
the United States. It was created by Elizabeth Rodrigues, a student in the Master’s of Human
Rights program at Binghamton University, and Jane Elliott, a faculty member in the Binghamton
University Theatre Department. It is directed by Natasha Lorca Yannacañedo, and features Adara
Alston, Alexandra Blum, Jane Elliott, and Dori May Ganisin.
This project is funded by the Ellyn Uram Kaschak Institute for Social Justice for Women and
Girls and the Stephen David Ross University and Community Projects Fund, in partnership with
the Unitarian Universalist Congregation of Binghamton, and with support from the Binghamton
University Theatre Department.
Based on the adage “Everyone loves someone who has had an abortion,” Everyone Knows
Someone seeks to humanize and destigmatize abortion through a lively, compelling performance
of real stories from people who have had them, framed with material about reproductive rights in
the United States. It was created by Elizabeth Rodrigues, a student in the Master’s of Human
Rights program at Binghamton University, and Jane Elliott, a faculty member in the Binghamton
University Theatre Department. It is directed by Natasha Lorca Yannacañedo, and features Adara
Alston, Alexandra Blum, Jane Elliott, and Dori May Ganisin.
This project is funded by the Ellyn Uram Kaschak Institute for Social Justice for Women and
Girls and the Stephen David Ross University and Community Projects Fund, in partnership with
the Unitarian Universalist Congregation of Binghamton, and with support from the Binghamton
University Theatre Department.
This FREE vocal program will take the audience on a captivating journey through the complex and passionate emotions of the French Romantic era. In this recital, we explore the depths of human experience through love, loss, cultural mixing, and the profound connection to nature. Each section of the program represents a facet of the French Romantic soul. Music By: Bizet, Fauré, Dell’Aqua, Delibes, Poulenc, Viardot, And More! FREE and OPEN to the PUBLIC! You are also welcome to purchase tours of the mansion in person at the event.
Enjoy Haydn and Mozart’s piano works performed as they intended them to be heard — in a private
home on a period instrument.
During the Classical era in Vienna, composers expected their keyboard music to entertain relatively
small audiences in more intimate settings than today’s large concert halls. And, the era’s pianos
(known as “fortepianos”) are very different from modern Steinways.
The Phelps Mansion Museum in Binghamton, NY is offering you this unique chance to experience the Classical era.
Fortepianist Daniel Adam Maltz is based in Vienna and studied Historical Performance at the Royal
Academy of Music in London and at Vienna’s University for Music and Performing Arts. He performs
on historic Viennese fortepianos, utilizing the vast range of tones, colors, and techniques familiar to
Classical-era composers.
Daniel Adam Maltz is a fortepianist based in Vienna, Austria. He is in demand worldwide
with 50+ tour dates per year as a sought-after soloist, chamber musician, Lieder
accompanist, and clinician. He hosts Classical Cake, the podcast about Viennese classical
music and culture.
Daniel specializes in Wiener Klassik — Viennese Classicism — especially the works of
Haydn, Mozart, and Beethoven. He performs on the Viennese fortepianos of their time.
He studied historical performance at the Royal Academy of Music in London and the
Universität für Musik und darstellende Kunst in Vienna. Additionally, Daniel studied
privately with Ingomar Rainer and Andreas Staier.
This concert is made possible with public funds from the Statewide Community Regrants Program, a regrant program of the New York State Council on the Arts with the support of the Governor’s Office and the New York State Legislature and administered by The Earlville Opera House.
Additional support for the Broome SCR Program graciously provided by the Stewart W. and Willma C. Hoyt Foundation, Inc.
